Last edited by Zulule
Monday, August 10, 2020 | History

5 edition of Methods and Principles of Hungarian Ethnomusicology (Uralic and Altaic) found in the catalog.

Methods and Principles of Hungarian Ethnomusicology (Uralic and Altaic)

by Stephen Erdely

  • 262 Want to read
  • 7 Currently reading

Published by RoutledgeCurzon .
Written in English

    Subjects:
  • Anthropology,
  • Music,
  • Sociology,
  • Social Science,
  • Ethnic Issues,
  • Hungary,
  • Ethnic Studies - General,
  • Social Science / Ethnic Studies

  • The Physical Object
    FormatHardcover
    Number of Pages152
    ID Numbers
    Open LibraryOL7763553M
    ISBN 100700708529
    ISBN 109780700708529
    OCLC/WorldCa39296959

    Instead, he laid down a set of principles for music education. In he became the president of the Hungarian Arts Council, and in received the Order of the Hungarian People's Republic. His other posts included a Presidency of the International Folk Music Council, and Honorary Presidency of the International Society for Music Education.   With the first book of Structures for two piano () he achieved a definitive conjunction of the methods of his predecessors, creating and transcending a "total serial " style in which every musical aspect - pitch, duration, loudness, and attack - .

    The first edition of this book, The Study of Ethnomusicology: Twenty-Nine Issues and Concepts, has become a classic in the field. This revised edition, written twenty-two years after the original, continues the tradition of providing engagingly written analysis that offers the most comprehensive discussion of the field available anywhere. The term "Ethnomusicology" first appeared in the book Jaap Kunst Musicologica A Study of the Nature of Ethno-musicology of, its Problems, Methods, and Representative Personalities (Amsterdam, ). In the book the Jaap Kunst, a term meant wearing a hyphen: "ethno-musicology", but for subsequent use without the on the scope of field studies, .

    This page has many different books, both classic and newly written, that might be of interest to those in the ICIT program. It is divided into three different sections: Improvisation; Composition / Writings by Composers; and Music onally, the column on the right side of the page gives suggestions on how to locate additional books on a similar topic here at : Scott Stone. An important publication representing the state of research as of is Ethnomusicology in Canada, edited by Robert Witmer. Canadian scholars in the s made substantial contributions to the discussion of theoretical issues in ethnomusicology, such as methods of cross-cultural analysis, issues of representation and conceptual frameworks.


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Methods and Principles of Hungarian Ethnomusicology (Uralic and Altaic) by Stephen Erdely Download PDF EPUB FB2

Genre/Form: Criticism, interpretation, etc: Additional Physical Format: Online version: Erdely, Stephen. Methods and principles of Hungarian ethnomusicology.

Methods and Principles of Hungarian Ethnomusicology (Uralic and Altaic) [Erdely, Stephen] on *FREE* shipping on qualifying offers. Methods and Principles of Hungarian Ethnomusicology (Uralic and Altaic)Cited by: 1. Ethnomusicology is the study of music from the cultural and social aspects of the people who make it.

It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, instead of only its isolated sound component.

His doctoral dissertation was published in the mids as the book “Methods and Principles of Hungarian Ethnomusicology,” which drew on extensive : Bryan Marquard.

As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society's international membership, Methods and Principles of Hungarian Ethnomusicology by.

II—beginnings of ethnomusicology as a field of study—American Anthropological Society—Alan Merriam—Japp Kunst—Music Folklore Studies—Erick M. von Hornbostel and Comparative Musicology—dissertation: Methods and Principles of Hungarian Ethnomusicology —Walter Hendl—Eastman School of Music 2.

Hungarian archeological collection of the American Museum of Natural History in New York. Yurak Chrestomathy | Eastern Ostyak Chrestomathy | Methods and Principles of Hungarian Ethnomusicology | Grammatik der Samojedischen Sprachen | Basic Course in Estonian | Grammatica Hungaro-Latina.

Understanding that Nettl's book is mainly meant to be an introduction for readers who are not familiar with the field, it serves to demonstrate the richness and diversity of Western folk and traditional music.

Museum fur Volkerkunde Dieter Christensen Berlin, Germany Erdely, Stephen. Methods and principles of Hungarian ethnomusicology. The basic principles of Hungarian music-pedagogical methods, developed by Zoltán Kodály (–) and his disciples and thus known as the Kodály method, are systematic instruction in sight-singing using “movable-do” solfège and rhythmic syllables,Author: Lynn M.

Hooker. The Hungarian folk song / by Béla Bartók ; edited by Benjamin Suchoff ; translated by M.D. Calvocoressi ; with annotations by Zoltán Kodály. ML B Methods and principles of Hungarian ethnomusicology. The adaptation of the principles to the reality was elaborated and developed by his disciples and his followers.

The basic principles of the concept were formed, articulated and gradually put into practice after the composer's attention had turned to music pedagogy, especially in the frame of general schooling around Ethnomusicology.

folk music world music Ethnomusicology from Grove Introduction. The origin of the term ‘ethnomusicology’ is attributed to the Dutch scholar Jaap Kunst (), who used it in the subtitle of his book Musicologica: a Study of the Nature of Ethno-musicology, its Problems, Methods, and Representative Personalities (Amsterdam, ).

This article looks into the history of the disciplines folk music research and ethnomusicology (comparative musicology) using the Viennese case as a rather representative example for both disciplines. It includes a personal account as the author has been an eye witness of the developments during the last 40 years.

It is the research on “music of minorities” that played Author: Ursula Hemetek. Contemporary models of Community Music Therapy are outlined in the second half of the book, and case vignettes illustrate how each of the methods can be applied in practice, and the outcomes that may be expected.

The first of its kind, this comprehensive book is a must for all music therapists working with adolescent clients. This banner text can have markup. web; books; video; audio; software; images; Toggle navigation.

Principles of Ethnomusicology (3) Selected topics on the musical cultures of the Pacific, Asia, Near East, and Africa; and the aboriginal music of the Americas. Prerequisite: or permission of instructor. But it is also a musical principle: tension followed by relaxation, changing rhythms and dynamics, dissonance and resolution.

But it is fair to ask whether these two principles, of redundancy and variety, are enough to account for the degree of elaboration and variation that has been found. It seems unlikely ( ). Latest Book. Chinese Scholars on Inner Asia. Edited by Luo Xin and Roger Covey.

Published and Distributed by the Sinor Research Institute for Inner Asian Studies. Indiana University Uralic and Altaic Series, Volume Publication Date: February pages, 4 maps,$ cloth, plus shipping. The musical interpretation of parallelism and orthogonality highlights certain basic construction and variation principles in Hungarian folk music.

View Show abstractAuthor: Jukka Louhivuori. The book is an impressive collection of different approaches in applied ethnomusicology, developed through a combination of ethnographic research.

The Kodály Approach to the Crossroad of Education and Therapy. Zoltán Kodály, the Hungarian composer, ethnomusicologist, music pedagogue, and linguist is internationally famous for his concept of music education. His holistic approach for music pedagogy can add considerably to the theoretical background of Community Music Therapy.

Five years later, Bartok Perspectives: Alan, Composer, Ethnomusicologist brings together lectures from two international conferences (International Bartok Conference, Radford, Virginia, April ; Bartok in Retrospect, International Symposium of the Society for Ethnomusicology, Los Angeles, California, October ) to produce the.

In his classic book The Anthropol- ogy of Music ( 52–53) he also pointed out that most of the general pub- lications of ethnomusicology do not deal with methods and techniques of comparative study (Wiora and many essays in the Garland Encyclope- dia from ca. notwithstanding).